June 22: What is it? and HOW?!?
Equipment and Terminology
June 26 :: Click Link for assignment >
June 22: What is it? and HOW?!?
Equipment and Terminology
Either in your backpack or the lock box!
C: Voice Level 2 (only the people next to you can hear you and no shouting across the room)
H: Ask your team, elbow partner or raise hand
A: Work on the assignment
M: Stay in your assigned seat
P: Work till assignment is completed
S: Finishing your work
Canon EOS R50
WHAT ARE WE LEARNING: Media Day Photos!
WHY IS IT IMPORTANT: Learning to take media day photos is essential because it produces a centralized library of professional, dynamic images. These high-impact visuals power season-long marketing, boost athlete confidence, and elevate a team's brand. Furthermore, learning these specific skills is highly lucrative for photographers seeking to expand their business.
HOW WILL MY TEACHER KNOW WHAT I LEARNED: We will follow the process and practice taking team MEDIA DAY photos!
Team and Individual Day
vs Media Day???
The main difference is that Team and Individual Day is a traditional, standardized process meant simply to document who is on the roster for yearbooks or leagues. In contrast, Media Day Media Day is an immersive, high-energy marketing event focused on capturing cinematic, personality-driven content for social media, hype videos, and promotional banners.
Specialized Photography...
High School Team Media Day Photography is a specialized style of sports photography that combines traditional team portraits with creative, promotional images designed for social media, athletic programs, scoreboards, posters, and school marketing. Unlike standard team photos, Media Day images often feature dramatic lighting, action poses, school colors, props, smoke effects, and dynamic compositions that showcase team spirit and individual athlete personalities.
To create successful Media Day photos, begin by planning the look and feel with coaches and athletic directors. Choose a location with enough space for teams and equipment, and prepare a consistent backdrop or environment that matches the school's branding. Use off-camera lighting, such as strobes or speedlights with softboxes, to create professional-looking images with depth and contrast. Position athletes in strong, confident poses and encourage expressions that reflect the energy of their sport.
A typical student photography crew includes a lead photographer, lighting assistants, athlete wranglers, and equipment managers. Students should pay close attention to lighting placement, camera settings, athlete positioning, and details such as uniforms, hair, and equipment. Capturing a variety of images...including traditional team photos, individual portraits, small group shots, and creative action poses, provides schools with versatile content for yearbooks, social media, websites, and promotional materials.
The key to a successful Media Day is organization, teamwork, and consistency.
When planned and executed well, Media Day photography creates professional-quality images that celebrate student-athletes and build excitement around school sports programs!
We will follow along with the program to better understand how to accomplish GREAT, AMAZING MEDIA DAY IMAGES!
Module 1 and 2
Equipment & Terminology!
What are some of the Basics that we need to know?
Light Setups & Equipment uses
What do we need?
How do we use them properly?
Umbrellas vs SoftBoxes
What's the Difference?
A lot of people start with umbrellas. They produce beautiful soft wraparound light just like a softbox would but instead of being more controlled the light bounce around the umbrella to diffuse first and then sort of scatters in all directions.
The softbox produces soft light as well but contains the light inside and only releases it through the diffusion panel in the front. Meaning that the angle of light is more narrow than that of an umbrella when placed to the side of your subject you can see how the background is much darker and deeper. That's because the edge of the box keeps the light moving in a forward Direction.
Whereas when the umbrella is at the same angle it can illuminate your subject and more of your background because of the wide open nature of its shape it all comes down to controlling your light.
The more you know the more you can do.
Let's Try?!?!
Simple Set up with a Key Light with Soft Box
and a Rim Light with Blue Gel
1/200
F16
ISO 100
Lens Focal Length 50mm
Ctrl+Alt+Delete then select SIGN OFF!
Please place HEADPHONES on your Monitors!